Hard/Soft/Lost: The Edges of Contemporary Culture / Round the Decay: Umar Rashid, Art at the Edge of History / Grégory Pierrot May 22, 2023May 22, 2023Grégory Pierrot
Graphic Formalism / Grief Time (An excerpt from Unbelonging) / Kay Sohini March 27, 2023March 25, 2023Kay Sohini
Lastgaspism / Avram Alpert, Anthony Romero, Daniel Tucker, & Dan S. Wang July 17, 2022July 18, 2022Avram Alpert
There is Danger in the Garden: Chié Shimizu’s ROJI / Grégory Pierrot June 23, 2022June 21, 2022Grégory Pierrot
Carren Irr’s Life in Plastic: Artistic Responses to Petromodernity / Nuria Sánchez June 9, 2022July 25, 2022Nuria Angélica Sánchez Matías
On Attunement: Critics, Criticism, and the Classroom / Jessica Swoboda January 31, 2022January 20, 2022Jessica Swoboda
Ara Merjian’s Against the Avant-Garde: Pier Paolo Pasolini, Contemporary Art and Neocapitalism / Katie Larson November 11, 2021March 10, 2022Katie Larson
For, By, and About Class: Fred Lonidier’s Challenge to Art Criticism / Avram Alpert May 17, 2018May 13, 2018Avram Alpert
Art and China after 1989: Theater of the World / Franziska Koch March 29, 2018March 29, 2018Franziska Koch
The Ectoplasmic Resistance of Queer: Metric Mysticism, Libidinal Art, and How to Think Beyond The Internet. A Conversation with Zach Blas. / Jasmina Tumbas February 6, 2018February 6, 2018Jasmina Tumbas
