Salomé Aguilera Skvirsky’s The Process Genre: Cinema and the Aesthetic of Labor / Jarret Sorger February 17, 2022March 9, 2022Jarret Sorger
Who Needs to See This (Again)?: On Raoul Peck’s Exterminate All the Brutes / Grégory Pierrot and Sarah Wasserman October 11, 2021September 26, 2021Sarah Wasserman