Karen Jaime’s The Queer Nuyorican: Racialized Sexualities and Aesthetics in Loisaida / Jaime Shearn Coan April 6, 2023April 3, 2023Jaime Shearn Coan
Uncanny Juxtapositions / Breathwork Mapping and Peregrinations in A Rock A River A Street and Breathing Aesthetics / Laurel V. McLaughlin March 2, 2023March 7, 2023Laurel V. McLaughlin
Review of no existe un mundo poshuracán: Puerto Rican Art in the Wake of Hurricane Maria / Marcos Gonsalez February 24, 2023February 13, 2023Marcos Gonsalez
Jinah Kim’s Postcolonial Grief: The Afterlives of the Pacific Wars in the Americas / Karen Huang February 17, 2023February 13, 2023Karen Huang
Marisel C. Moreno’s Crossing Waters: Undocumented Migration in Hispanophone Caribbean and Latinx Literature & Art / Luke Urbain December 22, 2022December 20, 2022Luke Urbain
Sara Blaylock, Parallel Public: Experimental Art in Late East Germany / Kimber Chewning November 24, 2022November 18, 2022Kimber Chewning
A People’s Atlas of Nuclear Colorado / Charlotte Hecht October 20, 2022October 18, 2022Charlotte Hecht
John G. Hanhardt’s (ed.) The Films of Andy Warhol Catalogue Raisonné Volume 2: 1963-1965 / Tom Day October 6, 2022October 5, 2022Tom Day
John Lennon’s Conflict Graffiti: From Revolution to Gentrification / Allison Schifani October 4, 2022October 4, 2022Allison M. Schifani
Rebecca Wanzo’s The Content of Our Caricature: African American Comic Art and Political Belonging / Katherine Kelp-Stebbins October 4, 2022October 4, 2022Katherine Kelp-Stebbins