Sasha Su-Ling Welland’s Experimental Beijing: Gender and Globalization in Chinese Contemporary Art / Keyu Yan November 16, 2023November 19, 2023Keyu Yan
Erika Doss’s Spiritual Moderns: Twentieth-Century American Artists and Religion / Teddy Hamstra November 2, 2023October 25, 2023Teddy Hamstra
Uncanny Juxtapositions / A Brief Guide to Getting Lost at the Tap Water Factory / James Reath October 5, 2023September 29, 2023James Reath
Five on MIKE / Fabien Maltais-Bayda, Clara Nizard, Tina Post, Asya Sagnak, and Michael Stablein Jr. September 14, 2023September 13, 2023Fabien Maltais-Bayda
Unruly Agencies. Thinking with an Accent: Toward a New Object, Method, and Practice / Casey Mecija August 24, 2023August 25, 2023Casey Mecija
Macarena Gómez-Barris’s Beyond the Pink Tide: Art and Political Undercurrents in the Americas / Erin L. McCutcheon July 13, 2023July 5, 2023Erin L. McCutcheon
Karen Jaime’s The Queer Nuyorican: Racialized Sexualities and Aesthetics in Loisaida / Jaime Shearn Coan April 6, 2023April 3, 2023Jaime Shearn Coan
Uncanny Juxtapositions / Breathwork Mapping and Peregrinations in A Rock A River A Street and Breathing Aesthetics / Laurel V. McLaughlin March 2, 2023March 7, 2023Laurel V. McLaughlin
Review of no existe un mundo poshuracán: Puerto Rican Art in the Wake of Hurricane Maria / Marcos Gonsalez February 24, 2023February 13, 2023Marcos Gonsalez
Jinah Kim’s Postcolonial Grief: The Afterlives of the Pacific Wars in the Americas / Karen Huang February 17, 2023February 13, 2023Karen Huang
