Skip to content
ASAP/J
  • Home
  • Clusters
    • Black One Shot
    • Versos y Besos
    • Thirty Years of Generation X
    • MOVE
    • Abstraction of Black Citizenship
    • Reliquary for the Digital in Nine Key Words
    • Queer(s) Reading
    • Unstable Identities in Search of Home
    • Caribbean, Gardener
    • The Character of Literary Criticism
    • Restless Flying
    • Public Humanities and the Arts of the Present
    • postcollapse art
    • Transmedial Autotheories
    • The Contemporary Essay
    • Becoming Undisciplined
    • Experimental Criticism
  • Features
  • Reviews
    • Books in Conversation
  • About
  • Submit
    • Submit a cluster
    • Submit a feature essay
    • Submit a review
    • Author guidelines
    • Books for review
  • Call for Papers
    • ASAP/J cfps
    • ASAP/Journal cfps
    • ASAP/J X ASAP/Journal
  • Print Journal
  • ASAP Home
Main Menu
  • Experimental Criticism / Introduction: Annotated Syllabus / Beth Blum

  • Experimental Criticism / Losing a Child: A Game of Unwinnables / Yoojung Chun

  • Experimental Criticism / Notes on Cringe / Marie Ungar

  • Experimental Criticism / Choreography in Moving Pictures: Six Ways of Looking at Blondell Cummings / Elinor Hitt

  • Experimental Criticism / Beyond the Page / William Martin

  • Experimental Criticism / The Song of the Cicadas: Collected Lectures on Call Me By Your Name / Harry Hall

  • Experimental Criticism / Listening to Milton / Sam Bozoukov

  • Experimental Criticism / Questionnaire on the State of Experiment in the Discipline / Beth Blum

Marisel C. Moreno’s Crossing Waters: Undocumented Migration in Hispanophone Caribbean and Latinx Literature & Art / Luke Urbain
Sara Blaylock, Parallel Public: Experimental Art in Late East Germany / Kimber Chewning

Features

Experimental Criticism / Introduction: Annotated Syllabus / Beth Blum

January 30, 2023January 31, 2023Beth Blum

Experimental Criticism / Losing a Child: A Game of Unwinnables / Yoojung Chun

January 30, 2023

Experimental Criticism / Notes on Cringe / Marie Ungar

January 30, 2023

Experimental Criticism / Choreography in Moving Pictures: Six Ways of Looking at Blondell Cummings / Elinor Hitt

January 30, 2023

Experimental Criticism / Beyond the Page / William Martin

January 30, 2023

Experimental Criticism / The Song of the Cicadas: Collected Lectures on Call Me By Your Name / Harry Hall

January 30, 2023

Experimental Criticism / Listening to Milton / Sam Bozoukov

January 30, 2023

Experimental Criticism / Questionnaire on the State of Experiment in the Discipline / Beth Blum

January 30, 2023

Reviews

Marisel C. Moreno’s Crossing Waters: Undocumented Migration in Hispanophone Caribbean and Latinx Literature & Art / Luke Urbain

December 22, 2022December 20, 2022Luke Urbain

Sara Blaylock, Parallel Public: Experimental Art in Late East Germany / Kimber Chewning

November 24, 2022

A People’s Atlas of Nuclear Colorado / Charlotte Hecht

October 20, 2022

John G. Hanhardt’s (ed.) The Films of Andy Warhol Catalogue Raisonné Volume 2: 1963-1965 / Tom Day

October 6, 2022

John Lennon’s Conflict Graffiti: From Revolution to Gentrification / Allison Schifani

October 4, 2022

Rebecca Wanzo’s The Content of Our Caricature: African American Comic Art and Political Belonging / Katherine Kelp-Stebbins

October 4, 2022

Matthew G. Kirschenbaum’s Bitstreams: The Future of Digital Literary Heritage / Julia Panko

October 4, 2022

Ilana Dann Luna’s Adapting Gender: Mexican Feminisms from Literature to Film / Anthony Gottlich

September 29, 2022

Proudly powered by WordPress | Theme: Awaken Pro by ThemezHut.