Introduction — Sarah Dowling Amy De’Ath’s Behind Our Backs: Feminized Poetry and Capitalist Abstraction attends to the whirring of social forms in motion, asking its readers to connect sense perception and the total system. This connection, De’Ath shows, is…
By Sarah Dowling, Fintan Calpin, Frances Jean Wohlscheid & Anna Zalokostas
“The First Novel Written by AI is Here,” an article proclaimed in 2018. The author doubted AI tools could ever write a good novel but nevertheless conceded that one “might just see fragments of meaning thrown into a neural network…
1: The Giantess When I first saw her in 2023, I had a job that paid me to tell stories about animals and an apartment in Berlin I rarely left. Most days I was squirreled under…
The 61st Venice Biennale, “In Minor Keys,” cites One Hundred Years of Solitude by Gabriel García Márquez as one of its inspirations—the story of Macondo, the town where the novel unfolds. A fragment that never made…
By Alt Går Bra (Branko Boero Imwinkelried and Agnes Nedregård)
In the 1990s and early 2000s, Aaron Cobbett’s analog camera immortalized queer nightlife in Manhattan’s East Village through fabulous photo shoots that both rivaled contemporary fashion editorials and rejected the fashion world’s unattainable beauty ideals. Most…
The first time I call the Dial-A-Poem Hong Kong hotline, I hear Leung Ping-Kwan’s “The Thunderbolt and the Cicada Song.” This initial experience of Dial-A-Poem is mediated by the limits of my Cantonese proficiency. I understand some individual lines,…
Myka Tucker-Abramson’s sharp and compelling Cartographies of Empire: The Road Novel and American Hegemony takes the road novel as a “generic product of US hegemony” (3) and as a vehicle for mapping processes of capitalist modernization…
Whitney Biennial 2026Whitney Museum of American Art, New YorkMarch 8 – August 23, 2026 Curated by Marcela Guerrero and Drew Sawyer In Emilie Louise Gossiaux’s ballpoint-pen-and-crayon drawing Co-Shaping One Another with the Moon (2025), a nude human figure and…
In December 2015, at the close of Acting Out: A Symposium of Indigenous Performance Art in Santa Fe, Anishinaabe artist Rebecca Belmore appeared as a projected face wearing a paper “Indian Brave” mask bought at a UK dollar…
