Skip to content
Home
Clusters
Black One Shot
Versos y Besos
Thirty Years of Generation X
MOVE
Abstraction of Black Citizenship
Reliquary for the Digital in Nine Key Words
Queer(s) Reading
Unstable Identities in Search of Home
Caribbean, Gardener
The Character of Literary Criticism
Restless Flying
Public Humanities and the Arts of the Present
postcollapse art
Transmedial Autotheories
The Contemporary Essay
Becoming Undisciplined
Experimental Criticism
Features
Reviews
Books in Conversation
About
Submit
Submit a cluster
Submit a feature essay
Submit a review
Author guidelines
Books for review
Call for Papers
ASAP/J cfps
ASAP/Journal cfps
ASAP/J X ASAP/Journal
Print Journal
ASAP Home
Main Menu
Experimental Criticism /
Introduction: Annotated Syllabus
/ Beth Blum
Experimental Criticism /
Losing a Child: A Game of Unwinnables
/ Yoojung Chun
Experimental Criticism /
Notes on Cringe
/ Marie Ungar
Experimental Criticism /
Choreography in Moving Pictures: Six Ways of Looking at Blondell Cummings
/ Elinor Hitt
Experimental Criticism /
Beyond the Page
/ William Martin
Experimental Criticism /
The Song of the Cicadas: Collected Lectures on
Call Me By Your Name
/ Harry Hall
Experimental Criticism /
Listening to Milton
/ Sam Bozoukov
Experimental Criticism / Questionnaire on the State of Experiment in the Discipline / Beth Blum
Marisel C. Moreno’s
Crossing Waters: Undocumented Migration in Hispanophone Caribbean and Latinx Literature & Art
/ Luke Urbain
Sara Blaylock,
Parallel Public: Experimental Art in Late East Germany
/ Kimber Chewning
