Provocations / “Live Forever”: Rendering a History and Present of Photography in Kimberly Juanita Brown’s Mortevivium
“What is it about blackness in the public imaginary that has repeatedly aligned it with suffering?” asks Kimberly Juanita Brown in Mortevivum: Photography and the Politics of the Visual (51). Or, a related question, directed again to the…
By Anni A. Pullagura