Reviews

Review of Sophie Calle’s Take Care of Yourself

The break-up letter—in all its melodramatic glory— is not only a stinging force of creative inspiration (Hemingway’s A Farewell to Arms may have never been penned if not for World War II nurse Agnes von Kurowsky’s…

By Emma Peters

Reimagined Horrors of Ibadan: A Review of Thematic Concerns and Yoruba Significance in The Years of Blood by Adedayo Agarau

By Eniola Abdulroqeeb Arowolo

Jana Sterbak: Dimensions of Intimacy at Esker Foundation

By Margaryta Golovchenko

The Wing that Remains: Organic Afterlife of Ming Fay at The Campus

By Renee Yu Jin

Liberatory Blueprints: A Review of Jina B. Kim’s Care at the End of the World: Dreaming of Infrastructure in Crip-of-Color Writing

By Augusta Funk

Review of Caroline Hovanec’s Notes on Vermin

By Julia Laurel Mueller

Uncanny Juxtaposition / The Last of Us & Them

By Michael Autrey

Uncanny Juxtaposition / Digestive Organs: Community Spaces as Sites of Artistic Metabolism — From Inner Feast’s psychological banquet to Group Lick’s sculptural residues

By shuang cai

Uncanny Juxtaposition / Birds of a Feather: Leonora Carrington: Dream Weaver, Rose Art Museum / Isola by Allegra Goodman

By Kristen Lauritzen

Dismantling the Shields of the Contemporary Art World: Review of Eunsong Kim’s The Politics of Collecting

By Laura Elizabeth Vrana

A new social realism: Interview with Jo Hamya

By Peri Mirza

Ornate Grievance: Monstrous Beauty at the Met

By Yunning Zhang

Digital Exhibit: Propaganda, Africanfuturity, and the Spectral Resonance of the Biafran Gambit

By Chichi Ayalogu

Uncanny Juxtaposition / Re-Shuffle: How Do We Do Contemporary Global Art, Theory, and Politics Today?

By Shiqi Lin

Marlene Dumas’ Cycladic Blues at the Cycladic Museum of Art, Athens

By Ella Gonzalez