The Passion of Contra Diabolum / Sarah Heston

Wood engraving from an 1832 American edition of John Foxe’s Book of Martyrs (1563). Image courtesy of Granger

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Editors’ note: This contribution is part of a featured grouping on toxic masculinities and new solidarities in academic and artistic institutions. The other contributions include:

What is Academia? by Kim Calder and Evan Kleekamp
What Does an Artist Look Like? by Jennifer Dalton
After “A Refuge for Jae-in Doe”: A Social Media Chronology by Seo-Young Chu