
Smooth Parataxis and Polyvalent Montage: John Ashbery’s Poetics in Nathaniel Dorsky’s Avant-Garde Filmmaking
Spring with its promise of winter….And it is December again,the snow outside. Or is it June full of sun — John Ashbery, “The Skaters” : : Nathaniel Dorsky’s silent, 45-minute avant-garde film, Hours for Jerome (1982),…
By Grace Hayes & Brendan Nagle