Reviews

Uncanny Juxtaposition / Birds of a Feather: Leonora Carrington: Dream Weaver, Rose Art Museum / Isola by Allegra Goodman

On January 22, 2025, the Rose Art Museum at Brandeis University opened its entryway gallery to reveal the fantastical works of Anglo-Irish-Mexican artist Leonora Carrington. In doing so, the Rose became the first institution in New…

By Kristen Lauritzen

Dismantling the Shields of the Contemporary Art World: Review of Eunsong Kim’s The Politics of Collecting

By Laura Elizabeth Vrana

A new social realism: Interview with Jo Hamya

By Peri Mirza

Ornate Grievance: Monstrous Beauty at the Met

By Yunning Zhang

Digital Exhibit: Propaganda, Africanfuturity, and the Spectral Resonance of the Biafran Gambit

By Chichi Ayalogu

Uncanny Juxtaposition / Re-Shuffle: How Do We Do Contemporary Global Art, Theory, and Politics Today?

By Shiqi Lin

Marlene Dumas’ Cycladic Blues at the Cycladic Museum of Art, Athens

By Ella Gonzalez

Uncanny Juxtaposition / Over-Views of Black Migration in Shore|Lines and Clean Slate

By Ifeanyi Awachie

Review of Surviving the Long Wars: Creative Rebellion at the Ends of Empire

By Julian O'Brien

Review of Ben Mangrum’s The Comedy of Computation, or, How I Learned to Stop Worrying and Love Obsolescence

By Scott Selisker

No Rape Involved. Racial Fantasies and State Violence in One Battle After Another

By Fania Noël

Provocations / Latinx Revolutionary Horizons and Expanding the Latinx Studies Field Imaginary

By David J. Vázquez

Ghostly Aesthetics: Lorna Simpson: Source Notes at The Met

By Brittney Frantece

Hosting Ambivalence: nora chipaumire’s Dambudzo

By Fabien Maltais-Bayda

Review of Jon L. Pitt’s Botanical Imagination: Rethinking Plants in Modern Japan

By Mei Fujie