Reviews

The Wing that Remains: Organic Afterlife of Ming Fay at The Campus

2025 Annual Exhibition, The Campus341 NY-217, Claverack, NYJune 28 — October 26, 2025 A soft light washes along the old school corridor. The air feels slightly cool, carrying the faint scent of tile and paint. It is…

By Renee Yu Jin

Liberatory Blueprints: A Review of Jina B. Kim’s Care at the End of the World: Dreaming of Infrastructure in Crip-of-Color Writing

By Augusta Funk

Review of Caroline Hovanec’s Notes on Vermin

By Julia Laurel Mueller

Uncanny Juxtaposition / The Last of Us & Them

By Michael Autrey

Uncanny Juxtaposition / Digestive Organs: Community Spaces as Sites of Artistic Metabolism — From Inner Feast’s psychological banquet to Group Lick’s sculptural residues

By shuang cai

Uncanny Juxtaposition / Birds of a Feather: Leonora Carrington: Dream Weaver, Rose Art Museum / Isola by Allegra Goodman

By Kristen Lauritzen

Dismantling the Shields of the Contemporary Art World: Review of Eunsong Kim’s The Politics of Collecting

By Laura Elizabeth Vrana

A new social realism: Interview with Jo Hamya

By Peri Mirza

Ornate Grievance: Monstrous Beauty at the Met

By Yunning Zhang

Digital Exhibit: Propaganda, Africanfuturity, and the Spectral Resonance of the Biafran Gambit

By Chichi Ayalogu

Uncanny Juxtaposition / Re-Shuffle: How Do We Do Contemporary Global Art, Theory, and Politics Today?

By Shiqi Lin

Marlene Dumas’ Cycladic Blues at the Cycladic Museum of Art, Athens

By Ella Gonzalez

Uncanny Juxtaposition / Over-Views of Black Migration in Shore|Lines and Clean Slate

By Ifeanyi Awachie

Review of Surviving the Long Wars: Creative Rebellion at the Ends of Empire

By Julian O'Brien

Review of Ben Mangrum’s The Comedy of Computation, or, How I Learned to Stop Worrying and Love Obsolescence

By Scott Selisker