Reviews - ASAP/Review

Reviews

Provocations / Latinx Revolutionary Horizons and Expanding the Latinx Studies Field Imaginary

This Provocation reflects on Renee Hudson’s Latinx Revolutionary Horizons: Form and Futurity in the Americas. Latinx Studies practitioners have long grappled with our field imaginary, and Hudson’s book offers one of the richest elaborations of what…

By David J. Vázquez

Ghostly Aesthetics: Lorna Simpson: Source Notes at The Met

By Brittney Frantece

Hosting Ambivalence: nora chipaumire’s Dambudzo

By Fabien Maltais-Bayda

Review of Jon L. Pitt’s Botanical Imagination: Rethinking Plants in Modern Japan

By Mei Fujie

Slow Motion’s Half-Rhyme: Mark Goble’s Downtime: The Twentieth Century in Slow Motion

By Omid Bagherli

Review of Larry Stanton’s Think of Me When It Thunders

By Graham Feyl

‘Like art vanishing into architecture’: Barbara Stauffacher Solomon’s Modernist Supergraphics

By Christopher Gortmaker

The Dead Cannot Die: The Art of Mourning in What You Make of Me

By Teddy Duncan Jr.

Review of Scientia Sexualis

By Maria Cecilia Azar & Hunter Scott

Nothing Ever Happens: Dramaturgies of Nothing in Alex Tatarsky’s Nothing Doing (2025) and @2girls1bottl3 (2022-)

By Miya Shaffer

Review of Orisanmi Burton’s Tip of the Spear: Black Radicalism, Prison Repression, and the Long Attica Revolt

By Ekundayo Igeleke

Review of Amber Jamilla Musser’s Between Shadows and Noise: Sensation, Situatedness, and the Undisciplined

By Archita Arun

Review of Leah Modigliani’s Counter Revanchist Art in the Global City: Walls, Blockades, and Barricades as Repertoires of Creative Action

By Shannon Constantine

Uncanny Juxtaposition / Other(ed) Women: Reading Louise Kennedy’s Trespasses alongside Jenny Erpenbeck’s Kairos

By Ann Keniston

Provocations / “Live Forever”: Rendering a History and Present of Photography in Kimberly Juanita Brown’s Mortevivium

By Anni A. Pullagura