Smooth Parataxis and Polyvalent Montage: John Ashbery’s Poetics in Nathaniel Dorsky’s Avant-Garde Filmmaking

By Grace Hayes & Brendan Nagle

Capitalist Realism, Human Rights and the Documentary Mode

By Rebecca Janzen

Leaning into Utopia in the Global South

By Vlad Dima

Disney Trap House, Or: Atlanta’s Atlanta

By Mitch R. Murray

Susan Sontag’s “Against Interpretation” @ 60 / Interpretation and Mistakes

By Simon Swift

The Art of Walking / In the Museums of the Moon: Notes on Walking

By Judith Rodenbeck

The Art of Walking / Footage of Resistance, Soundscape of Care: Audio walking in/with (E)motion Pictures

By Ellen Y. Chang

The Art of Walking / An Outing to the Lungs of the City: The Group of Six Author’s Walk Around Zagreb

By Adair Rounthwaite

GeoSemantics II / What Would Rocks say if Cinema Asked the Right Questions?

By Salomé Lopes Coelho

GeoSemantics II / Frackquake. A New Cosmogony

By Ana Llurba

“Forbidden Colors” (1988): Felix Gonzalez-Torres’ Remnants of Solidarity

By Jorge Sánchez Cruz

Dead Ringers and The Horrors of White Feminism

By Beenash Jafri