Graphic Formalism / the recent dead and papercraft / Eugenie Brinkema March 27, 2023March 26, 2023Eugenie Brinkema
Alice Diop’s Saint Omer and its Lexicons of Shadows / Fania Noël March 13, 2023March 8, 2023Fania Noël
Salomé Aguilera Skvirsky’s The Process Genre: Cinema and the Aesthetic of Labor / Jarret Sorger February 17, 2022March 9, 2022Jarret Sorger
Ara Merjian’s Against the Avant-Garde: Pier Paolo Pasolini, Contemporary Art and Neocapitalism / Katie Larson November 11, 2021March 10, 2022Katie Larson
MOVE4 / “I’ll play in yours if you play in mine”: Co-creation in COLAB’s films (New York, 1978-1985) / Céline Murillo September 17, 2020September 17, 2020Céline Murillo
True Croc Cinema: The Fossil Horror of Crawl in the Anthropocene / Ben Murphy September 11, 2019September 11, 2019Ben Murphy
Paratext, Bitches: How Best F(r)iends Subverts Mainstream Film / Katharine Coldiron April 11, 2019April 10, 2019Katharine Coldiron
Media Heterotopias: Digital Effects and Material Labor in Global Film Production / Amy R. Wong August 23, 2018August 23, 2018Amy R. Wong
