Review

Review of Annie Berke’s Their Own Best Creations: Women Writers in Postwar Television

By Maureen E. Ryan

Feature

New Frontiers for the Afronaut in Maisha Maene’s Mulika

By Magalí Armillas-Tiseyra

Cluster

Graphic Formalism / the recent dead and papercraft / Eugenie Brinkema

By Eugenie Brinkema

Feature

Alice Diop’s Saint Omer and its Lexicons of Shadows / Fania Noël

By Fania Noël

Cluster

The Contemporary Essay / The Essay in Close-Up / Lola Boorman

By Lola Boorman

Review

Salomé Aguilera Skvirsky’s The Process Genre: Cinema and the Aesthetic of Labor / Jarret Sorger

By Jarret Sorger

Review

Ara Merjian’s Against the Avant-Garde: Pier Paolo Pasolini, Contemporary Art and Neocapitalism / Katie Larson

By Katie Larson

Cluster

MOVE4 / “I’ll play in yours if you play in mine”: Co-creation in COLAB’s films (New York, 1978-1985) / Céline Murillo

By Céline Murillo

Feature

True Croc Cinema: The Fossil Horror of Crawl in the Anthropocene / Ben Murphy

By Ben Murphy

Feature

With: Jade Montserrat’s Peat / Sarah Jane Cervenak

By Sarah Jane Cervenak

Feature

Paratext, Bitches: How Best F(r)iends Subverts Mainstream Film / Katharine Coldiron

By Katharine Coldiron

Review

Media Heterotopias: Digital Effects and Material Labor in Global Film Production / Amy R. Wong

By Amy R. Wong