Feature

Injun by Jordan Abel / Amaranth Borsuk and Sarah Dowling

By Amaranth Borsuk and Sarah Dowling

Feature

Paratext, Bitches: How Best F(r)iends Subverts Mainstream Film / Katharine Coldiron

By Katharine Coldiron

Feature

Staring Back, Deadpan: Ugliness and Abjection in Iiu Susiraja’s Self-Portraits / Stefanie Snider

By Stefanie Snider

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MODERN AMERICANS IN THEIR PLACE AT CHICAGO ART INSTITUTE: AN ARTICLE

By Alice Notley

Feature

Unceasing Museums: Alice Notley’s “Modern Americans in Their Place at Chicago Art Institute” / Nick Sturm

By Nick Sturm

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Scroll+Assemble+Repair: Reading The Argonauts / Anna Ioanes

By Anna Ioanes

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Wilson Harris: An Ontological Promiscuity / Louis Chude-Sokei

By Louis Chude-Sokei

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SHOOT THE WOMEN FIRST! Under the Pink of Navine G. Khan-Dossos’s Targets / Jasmina Tumbas

By Jasmina Tumbas

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Slant Rhyming / Alexandra Kingston-Reese

By Alexandra Kingston-Reese

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The History of Heroes Still to Come: An Interview with Thenjiwe Niki Nkosi / Walt Hunter

By Walt Hunter

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Shared Curiosity: An Interview with Danielle Dutton / Abram Foley

By Abram Foley

Feature

For, By, and About Class: Fred Lonidier’s Challenge to Art Criticism / Avram Alpert

By Avram Alpert