Review

Provocations / Amy De’Ath’s Behind Our Backs: Feminized Poetry and Capitalist Abstraction

By Sarah Dowling, Fintan Calpin, Frances Jean Wohlscheid & Anna Zalokostas

Feature

Traces of the Self: An Interview with Eric Schmaltz

By Myra Bloom

Cluster

Communities of Liquid Care and Poetic Embodiments: Upon Review in the Works of JD Pluecker, Mariposa Tejada, M. Miranda Maloney, and Stalina Villarreal

By Jered Mabaquiao

Review

Dismantling the Shields of the Contemporary Art World: Review of Eunsong Kim’s The Politics of Collecting

By Laura Elizabeth Vrana

Feature

Dionne Brand Now

By Jessica Brofsky

Review

The Scotch Taped: Recent Poetry Without Philanthropy

By Juliana Spahr

Review

Uncanny Juxtapositions / Scores Will Void, Sentences Will Leave a Ladder: On Works by Renee Gladman and Tristan Koepke & Benny Olk

By Emily Gastineau

Cluster

Poetic Voice and Materiality / Automatomorphism in Joyelle McSweeney’s Dead Youth / Sarah Berry

By Sarah Berry

Cluster

Poetic Voice and Materiality / Material Evidence for Poetic Crimes of the Future / Zoe Bursztajn-Illingworth

By Zoe Bursztajn-Illingworth

Cluster

Poetic Voice and Materiality / Voice Metabolized: Sounding Predation in Douglas Kearney’s The Black Automaton / Sally Hansen

By Sally Hansen

Cluster

Poetic Voice and Materiality / Listening with Song-Poems: Vanity and Voice / Matthew Kilbane

By Matthew Kilbane

Review

Carren Irr’s Life in Plastic: Artistic Responses to Petromodernity / Nuria Sánchez

By Nuria Angélica Sánchez Matías